RECENT PRESENTATIONS IN CONFERENCES AND SYMPOSIA

Julia Margaret Cameron’s Dalmatian Maid: A Transformation in Photogravure,” PhotoHistory/PhotoFuture Conference, Rochester Institute of Technology, (April).

2018

“Julia Margaret Cameron, Prince Alamayou, and The Secret of England’s Greatness,” Conference on “Photography and Britishness,” Yale Center for British Art, New Haven (November). Permanently archived in British Art Studies, #4 (2016): http://www.britishartstudies.ac.uk/issues/issue-index/issue-4/ycba-conference

“Reclaiming the ‘Temple of the Tooth,’ Ceylon, 1875,” Association of Art Historians’ Annual Meeting, Session on “Beyond Restoration: Architectural Revival, Survival, and Memory,” Edinburgh, Scotland (April).

“Representing the Prince of Abyssinia,” Symposium on Julia Margaret Cameron held in conjunction with the exhibition, Julia Margaret Cameron, 1815-2015: A Bicentenary Exhibition, Museum voor Schone Kunsten, Ghent, Belgium, (May).

“Print Surface: CMYK and After,” College Art Association Annual Meeting, Session on “Complicating the Picture: Intersections of Photography with Printmaking since 1990,” New York (February).

“The Photography Market Today: The Triumph of Transparency and the Demise of the Printed Image,” Association of Art Historians, Session on “Art Photography and its Markets,” University of Warwick, England (April).

“The Triumph of Transparency and the Demise of the Printed Photograph,” Southeastern College Art Conference, Session on “The Syntax of Printmaking: What is Print Theory?” (October).

2009

“Classical Cameron,” College Art Association Annual Conference, Atlanta, Session on “The Pre-Raphaelites and the Mythic Image” (February).

Session Co-Chair with Jeffrey Abt, “Association for Museum History, Second Annual Conference,” AmericanAnthropological Association, Oriental Institute Museum, The University of Chicago (November).

Panel Respondent, “Multiculturalism in Modern British Art,” College Art Association annual meeting, New York (February).

“Anthropology and Photography,” Panel on Malvina Hoffman’s “Hall of the Races of Man,” Symposium
convened by the Department of Anthropology and the University of Chicago’s Committee on Cross-Cultural
Study and Change, “Malvina Hoffman: Then and Now: Perspectives on Art, Race, and Culture,” The Field
Museum of Natural History, (October).

“Malvina Hoffman and the Hall of the Races of Man,” American Anthropological Association, Session on Visual Anthropology, San Francisco (November).

“Epic and Lyric in Julia Margaret Cameron’s Idylls of the King,” North American Conference on British Studies, Session on Victorian Photography, Pasadena, CA (October).

For earlier presentations, 1987-1999,
please request full Curriculum Vitae
on the “Contact Jeff” page.